Use of Extended and Altered Chords

Extended and altered chords are fundamental in jazz guitar, offering rich harmonic textures. Extended chords go beyond the basic triads and seventh chords by adding additional tones, such as ninths, elevenths, and thirteenths. This practice enhances the chord's color and complexity. Altered chords involve modifying standard chord tones, such as sharpening or flattening the fifth or ninth, to create tension that typically resolves in more stable harmonies.
  • Extended chords add complexity beyond seventh chords, including ninths and elevenths.
  • Altered chords modify standard tones to create tension, commonly seen in dominant chords.
  • These chords contribute to the distinctive sound and richness of jazz harmony.

Emphasis on Improvisation and Swing Rhythms

Jazz guitar heavily emphasizes improvisation, allowing musicians to express individual creativity over established chord progressions. Improvisation in jazz often involves spontaneous melody creation, using scale and chord knowledge to guide note choices. Swing rhythms are another hallmark of jazz, giving the music a laid-back, syncopated feel. This rhythm style transforms straight eighth notes into a triplet-based feel, enhancing the genre's unique groove.
  • Improvisation allows for personal expression and creativity in jazz.
  • Swing rhythms create a distinctive, syncopated feel characteristic of jazz music.
  • Guitarists use chord and scale knowledge to inform their improvisational choices.

Common Scales and Modes (Mixolydian, Dorian, Bebop)

Jazz guitarists frequently use specific scales and modes to enhance their improvisation and melodic construction. The Mixolydian mode, with its flat seventh, is ideal for dominant chords, providing a bluesy sound. The Dorian mode, with its minor third and raised sixth, is popular in minor chord progressions, offering a jazzy, subtle brightness. Bebop scales, which add chromatic passing tones to traditional scales, help guitarists outline chord changes more clearly and conform to jazz's swing feel.
  • Mixolydian mode is used for dominant chords, adding a bluesy characteristic.
  • Dorian mode works well in minor progressions, providing a unique brightness.
  • Bebop scales incorporate chromaticism for clearer chord change outline.

Chord Substitution and Voice Leading

Chord substitution involves replacing a chord with another that serves a similar function, adding harmonic interest without altering the overall progression. Common substitutions include the use of tritone substitutes, where a dominant chord is replaced by another a tritone away, sharing the samefunction. Voice leading is the smooth transition between chords, ensuring individual notes (or voices) move minimally to maintain melodic coherence. This technique enhances the flow and connection within the music.
  • Chord substitution adds variety while maintaining harmonic function.
  • Tritone substitution is a popular method in jazz for dominant chords.
  • Voice leading focuses on smooth, minimal movement between individual notes in chords.

Typical Jazz Progressions (e.g. ii-V-I)

One of the most iconic progressions in jazz is the ii-V-I, which establishes strong tonal resolutions. In this progression, the minor ii chord leads to the dominant V, which resolves to the major I, creating a satisfying harmonic closure. This sequence is foundational in jazz, appearing in countless standards and providing a scaffold for improvisation. Other progressions, like the I-vi-ii-V, also showcase common jazz pathways, emphasizing the genre's cyclical and interrelated harmonic structures.
  • The ii-V-I progression is fundamental, providing strong tonal resolution in jazz.
  • Minor ii chords typically lead to dominant V chords, which resolve to major I chords.
  • This progression is ubiquitous in jazz standards and supports improvisational frameworks.

Notable Jazz Guitarists

Several guitarists have shaped the jazz genre, each bringing unique styles and innovations. Charlie Christian was instrumental in popularizing the electric guitar in jazz, blending blues and swing. Jim Hall contributed to sophisticated harmonic ideas and was known for his conversational style of improvisation. Wes Montgomery, with his signature thumb picking and octave-based melodies, brought a warm, soulful sound to jazz, influencing generations. More contemporary figures like Pat Metheny and John Scofield continue to expand jazz guitar's boundaries, integrating elements from other genres and pushing creative limits.
  • Charlie Christian helped popularize the electric guitar in jazz.
  • Jim Hall was known for his harmonic sophistication and improvisational dialogue.
  • Wes Montgomery used thumb picking and octaves to create a distinctive sound.