Diatonic Chords in Major and Minor Keys

Diatonic chords are built using only the notes from a given scale. In both major and minor keys, these chords create a cohesive sound that aligns with the key's tonal center.
  • Major Key: Uses the I, ii, iii, IV, V, vi, and vii° chords.
  • Minor Key: Typically uses i, ii°, III, iv, V, VI, and vii°.

Major Key Example: C Major

DegreeChordTypeNotes
ICMajorC-E-G
iiDmMinorD-F-A
iiiEmMinorE-G-B
IVFMajorF-A-C
VGMajorG-B-D
viAmMinorA-C-E
vii°Dimin.B-D-F

Minor Key Example: A Minor

DegreeChordTypeNotes
iAmMinorA-C-E
ii°Dimin.B-D-F
IIICMajorC-E-G
ivDmMinorD-F-A
VEMajorE-G#-B
VIFMajorF-A-C
vii°Dimin.G-B-D

Common Progressions

Chord progressions are sets of chords played in a sequence. Certain progressions are widely used across genres due to their strong musical resolution and emotional impact.

I-IV-V

The I-IV-V progression is fundamental in Western music, especially in rock and pop. It provides a strong sense of resolution and is often used to build verses and choruses.
  • Function: Creates a complete and satisfying musical phrase.
  • Example in C: C-F-G

ii-V-I

This progression is a staple in jazz, known for its smooth transitions and strong resolution back to the tonic. It highlights the tension and release that defines harmonic movement.
  • Function: Enhances circular motion back to the tonic.
  • Example in C: Dm-G-C

vi-IV-I-V

This progression is widely used in pop music for its catchy and relatable sound. It often forms the backbone of choruses and is known for its emotional appeal.
  • Function: Creates memorable and singable melodies.
  • Example in C: Am-F-C-G

Cadences

Cadences are chord sequences that signal the end of a musical phrase. They provide closure and can establish the key of a piece, giving listeners a sense of completion.

Authentic Cadence (V-I)

The authentic cadence, or perfect cadence, uses the V-I progression to create a strong sense of resolution. It is the most common way to end phrases in Western music.
  • Function: Provides definitive closure.
  • Example in C: G-C

Plagal Cadence (IV-I)

Known as the "Amen" cadence due to its frequent use in hymns, the plagal cadence moves from IV-I. It offers a softer resolution than the authentic cadence.
  • Function: Creates a gentle sense of completion.
  • Example in C: F-C

Half Cadence ( endings on V)

The half cadence ends on the V chord, leaving the listener with a sense of anticipation. It does not provide complete resolution, making it effective for leading into new sections.
  • Function: Signals pause without closure.
  • Example in C: F-G